Tagged With_Archive 2014
Glug Edinburgh | The Futurists
Thursday 9th October 2014, 6-9pm.
Assembly Roxy, 2 Roxburgh Place, Edinburgh EH8 9SU
This October, Glug will look into and at the 'future' through the different creative eyes of Gillian Easson, Katy West, Geoffrey Baines, and our very own Mark Daniels who will announce the winners of Cycle 10 of the Alt-w Fund.
Glug is a series of talks organised by Creative Edinburgh which brings together practitioners and entrepreneurs from different creative disciplines for an evening of inspiration and informal networking.
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PechaKucha Edinburgh
Friday 22nd August 2014, 6.30pm.
Airpuddle, Festival Square, Edinburgh EH3 9SR
PechaKucha Night was devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide.
It is curated in Edinburgh by Gordon Duffy, Principal of architecture practice Studio DuB. Drawing its name from the Japanese term for the sound of "chit chat", it rests on a presentation format that is based on a simple idea: 20 images x 20 seconds.
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Masters Festival | Edinburgh Art Festival 2014
16th-24th Aug, Fri-Tue 11am-5pm, Wed-Thu 11am-8pm.
Edinburgh College of Art, 74 Lauriston Place, EH3 9DF
The Masters Festival is one of the main contributions of Edinburgh College of Art to the Edinburgh Art Festival. This exhibition and series of events is by postgraduates from the School of Art, School of Design, and the Edinburgh School of Architecture and Landscape Architecture.
ECA's Sculpture Court has been turned into an events space for talks and performances as well as exhibitions from a variety of programmes. An installation from staff and PhD students can be explored through a postcard display, encouraging you to take some of the work away with you.
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Producing Data: Practices, Materialities, Values.
3rd & 4th September 2014.
ECCI, High School Yards, Edinburgh EH1 1LZ
The term ‘data’ is ubiquitous. its presence can take the form of representations of various facets of our lives. Data is a part of the contracts that we make with each other, companies that we deal with, and the fallout of the devices that we use.
‘Data’ appears not as information in its own right, but as a lens through which to discuss, and often critique, governments and corporations. The reverberations of Big Data controversies suggest that data is developing to be one of the key political issues of our time.
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Atmosphere | Barbarella
Friday 10th October 2014, 8pm. £12/£10
Glasgow Film Theatre, 12 Rose Street, Glasgow G3 6RB
As part of the BFI 'Days of Fear and Wonder' Sci-Fi season Peaches Christ introduces an Atmosphere screening of Roger Vadim's 1968 classic 'Barbarella' with an out-of-this-world pre-show starring San Francisco's own Lady Bear.
Additional roles will be filled by fellow San Franciscan bon-vivants Hugz Bunny and Shemantha, UK performers the Ultra Violets, Cheddar Gorgeous and Anna Phylactic plus local guests from Glasgow. Dress Code: 41st Century Chic.
Click here for our image archive.
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Complimentary Complements | Edinburgh Art Festival 2014
Thursday 21st August 2014,7pm.
Evolution House, 78 West Port, Edinburgh EH1 2LE
Founded by two postgraduate students at Edinburgh College of Art, [Dinner]Lab brings together artists and scientists to explore the culture of contemporary food and drink. In this evening of cocktails and nibbles you're invited to explore the taste and flavour possibilities that compliment the five artworks in our current Alt-w exhibition.
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Ellie Harrison In Conversation | Edinburgh Art Festival 2014
Monday 11th August 2014, 6.30pm.
Talbot Rice Gallery, Old College, South Bridge EH8 9YL
As part of GENERATION, Counterpoint is an exhibition of new work co-commissioned by the Edinburgh Art Festival and Talbot Rice Gallery from eight emerging artists including Alt-w alumus Ellie (Trajectories) Harrison.
Harrison's new artwork 'After the Revolution, Who Will Clean Up the Mess?' is completely contingent on the result of the Referendum. Join in this discusscusion on art, activism and social change with journalist Ewa Jasiewicz.
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Meursault | Edinburgh Art Festival 2014
Tuesday 19th August 2014, 6pm. £4
Evolution House, 78 West Port, Edinburgh EH1 2LE
Providing fresh perspectives on visual art, Festival Detours is a series of intimate live performances in Edinburgh's leading galleries by stars from the worlds of music, poetry and theatre. Edinburgh-based Meursault will perform in the surroundings of our Alt-w exhibition.
Meursault are a Scottish indie rock band formed in 2006. Led by singer-songwriter Neil Pennycook, the band's musical style has been categorised as folktronica, alternative rock and indie folk. Pennycock will play solo and unplugged in this his last performance as Meursault.
To purchase a ticket click here.
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Alt-w | Edinburgh Art Festival 2014
1st to 30th August 2014, Tue-Sat 10am-4pm.
Evolution House, 78 West Port, Edinburgh EH1 2LE
An exhibition of new work by ~ in the fields, Chris Helson & Sarah Jackets, Hadi Mehrpouya & Robert Powell, Donna Leishman and Calum Stirling, all commissioned by New Media Scotland’s Alt-w Fund.
In Help Me Obi, Helson and Jackets have built a seemingly impossible machine, a 360º video hologram to investigate remote relationships, intimacy and dislocation. Mehrpouya & Powell have also created a vision of the world in miniature. By rearranging sculpted pieces on a board, players can endlessly influence the microcosm contained within a wooden casket.
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Cryptic Nights | Echoes-Reprise
Thursday 5th June 2014, 8pm. £5
CCA, 350 Sauchiehall Street, Glasgow G2 3JD
Composer and filmmaker Mikolaj Szatko’s Echoes-Reprise fuses the senses in a meditative blend of visual and sonic art. Enter an immersive environment which sparks and provokes the subconscious through multi-projection animation and live music.
Incubated at Inspace as part of our 48 hours programme, Echoes-Reprise sees the work expanded and transformed through live performance. Inspired by the practices of Luis Recoder and Sandra Gibson, this piece encourages active engagement from the audience.
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